Up In Smoke Reviews: Author Interview

When and why did you begin writing? I’m a lifelong creator and explorer of worlds. As far back as first grade I remember spending most of the school day in one day dream or another. I had a huge notebook stuffed with drawings, story bits, and concepts for an elaborate Sci-Fi/Fantasy world I cobbled together from bits of Star Wars, Narnia, and Battlestar Galactica. By fourth or fifth grade not only was I loosing myself in every fantasy or Sci-Fi novel I could, but I was building Dungeons & Dragons castles and caverns on paper. Then from 1980 on the computer.

Since third grade I’ve read rather obsessively, so I was naturally interested in writing. I began fairly seriously in ninth grade. In high school, I won several national literary awards for my short stories and I was an editor and contributor to our high school literary magazine. In college, despite being a diehard science guy, I took creative writing classes (sometimes I was the only guy) and submitted stories to Science Fiction and Fantasy magazines (not that they ever bought any!). I co-wrote the

stories for many of my best selling video games. But video games aren’t as story driven as novels, so don’t judge these in the same light J.

Who or what influenced your writing over the years? I get very inspired by my own sense of “cool.” This can mean cool scenes, cool characters, cool dynamics, cool symbolism, cool turns of phrase, whatever. As I read and watch media obsessively – and by obsessively I mean 200 novels a year and about four hours of long form film/tv a day, I don’t sleep much – I’m constantly looking for interesting moments and archetypes that can be reinvented and repurposed. Nothing is ever new in the world. I also read a tremendous amount of history and in both of my novels I used facts about the history and the historical places and times to guide the story. Sometimes it’s useful to have concrete possibilities like this to give you structure. The historical facts in Untimed do that. I’ll have a practical function in the plot they need to accomplish, then I’ll dig through books looking for something that is synergistic. Sometimes it goes the other way.

What do you consider the most challenging about writing a novel, or about writing in general? The endless re-reading and careful editing is quite tedious (although I do a lot of it!). Sitting down to read the entire book again for the 50th time takes some serious will power. But overall, I’d say the hardest part was trying to balance my desire for prose minimalism with the need to “tell” the reader what they are supposed to know/feel. Ideally, one doesn’t tell them much of anything, but instead shows and implies. I love when a beat subtly betrays the emotions of a character, but at the same time, not all readers pick up on these niceties. My style is much closer to hard boiled early or mid twentieth century writers than it is to the type of melodramatic prose sometimes found in today’s YA hits (Twilight, here’s looking at you!).

Can you tell us about your main character? Charlie’s the kind of boy that no one notices. Hell, his own mother can’t remember his name. So when a mysterious clockwork man tries to kill him in modern day Philadelphia, and they tumble through a hole into 1725 London, Charlie realizes even the laws of time don’t take him seriously. Still, this isn’t all bad. Who needs school when you can learn about history first hand, like from Ben Franklin himself. And there’s this girl… Yvaine… another time traveler. All good. Except for the rules: boys only travel into the past and girls only into the future. And the baggage: Yvaine’s got a baby boy and more than her share of ex-boyfriends. Still, even if they screw up history — like accidentally let the founding father be killed — they can just time travel and fix it, right? But the future they return to is nothing like Charlie remembers. To set things right, he and his scrappy new girlfriend will have to race across the centuries, battling murderous machines from the future, jealous lovers, reluctant parents, and time itself.

Do you have any advice for writers? The simplest and the most time consuming advice is to read. Read everything you can. In your genre, in other genres, non-fiction. Everything. Of course if you’re one of those people who just never reads but somehow has the burning desire to be a writer… perhaps you should think again. Next, take your craft seriously. Read books on writing and editing, on plot and structure. Editing, and I mean professional editing, is really very important. A surprising number of published books aren’t even well edited. They’re overwritten and redundant, like this sentence. Patience. It takes a long time to improve and you’ll end up doing a lot of waiting on both yourself and others.

What do you do to unwind and relax? I’m a ridiculous foodie and wine guy (I blog about it here), to the level of being a certified sommelier and attending 27 course truffle diners. Yet, I also have a secret weakness for “comfort” food (particularly candies) like Skittles and Spicettes.